Exhibit: Tree Watching
- Location
- The Delaware Contemporary
- Date
- Sun, September 13
Event Details
- Date
- Sunday, September 13
Upcoming Event Dates Show Hide
Sep 13, 2026 Sep 16, 2026 Sep 17, 2026 Sep 18, 2026 Sep 19, 2026 Sep 20, 2026 Sep 23, 2026 Sep 24, 2026 Sep 25, 2026 Sep 26, 2026 Sep 27, 2026 Sep 30, 2026 Oct 01, 2026 Oct 02, 2026 Oct 03, 2026 Oct 04, 2026 Oct 07, 2026 Oct 08, 2026 Oct 09, 2026 Oct 10, 2026 Oct 11, 2026 Oct 14, 2026 Oct 15, 2026 Oct 16, 2026 Oct 17, 2026 Oct 18, 2026 Oct 21, 2026 Oct 22, 2026 Oct 23, 2026 Oct 24, 2026 Oct 25, 2026 Oct 28, 2026 Oct 29, 2026 Oct 30, 2026 Oct 31, 2026 Nov 01, 2026 Nov 04, 2026 Nov 05, 2026 Nov 06, 2026 Nov 07, 2026 Nov 08, 2026 Nov 11, 2026 Nov 12, 2026 Nov 13, 2026 Nov 14, 2026 Nov 15, 2026 Nov 18, 2026 Nov 19, 2026 Nov 20, 2026 Nov 21, 2026 Nov 22, 2026 Nov 25, 2026 Nov 26, 2026 Nov 27, 2026 Nov 28, 2026 Nov 29, 2026
- Location
-
The Delaware Contemporary
200 S. Madison St.,
Wilmington, DE 19801 - Event Type
- Ticket Cost
- Free
- IN Budget
Description
Tree watching refers to the meditative practice of observing trees. Across cultures, trees have long been understood as custodians of history and portals to the spiritual realm. Here, we also acknowledge trees as watchers of our personal and collective lives—another kind of archival medium, legible only to those who revere them.
Tree Watching presents the work of Aziza Gibson-Hunter, Vetiver (Vonne Napper), Wanda Raimundi-Ortiz, and Niama Safia Sandy, artists united by their engagement with and reverence for the natural world. Their practices consider both natural and psychological landscapes, allowing the physical and metaphysical to meet through land stewardship, medicinal knowledge, foodways, socio-political histories, and the cultures held by the land’s inhabitants.
While trees may look different from one place to another, they grow according to a shared logic: at different paces, to different heights, bearing different fruit, yet remaining rooted as they reach upward toward the sky. Similarly, these artists draw on their cultural and aesthetic lineages to ground practices that bloom toward personal enlightenment, higher consciousness, and self-actualization.
Tree Watching blurs the lines of witness—between observer and observed, memory and presence, rootedness and transcendence. In this suspension, submission to the spiritual becomes possible. We are reminded of Indigenous ways of being and thinking with ourselves, with one another, and alongside the earth.



